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Posts tagged Australia
Maxine Beneba Clarke and Omar Musa on poetry, Sydney Writers' Festival 2022

Maxine Beneba Clarke and Omar Musa on poetry, SWF 2022

This was a thrilling session between three poets: Maxine Beneba Clarke and Omar Musa in conversation with Evelyn Araluen, who asked searching questions about their beautiful new poetry collections, Beneba Clarke’s How Decent Folk Behave and Musa’s Killernova. It was a stellar panel! Araluen’s first book of poems, Dropbear, had just won the 2022 Stella Award.

Araluen opened by asking when these books were written? Where were they at when they wrote them?

Beneba Clarke said she wrote her book in 2019 and 2020. Because most of the poems were for her weekly poetry gig at The Saturday Paper, it’s the most time-specific work she’s ever written.

Araluen said it reads like an annotation of this period – and in a sense we’re still in that moment, but also not.

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Sydney Writers' Festival 2022 opening address - and Marcia Langton & Julianne Schultz

Sydney Writers’ Festival 2022: opening address - and Marcia Langton + Julianne Schultz on ‘Australia’

It’s been a while! - nine months to be precise - since I last blogged here. I spent the summer working on my essay My mother’s silence, my nation’s shame, which was published in Griffith Review 76: Acts of Reckoning last month. The first bookish thing I did after that was head straight to the Sydney Writers’ Festival. It was the first time I’d been able to go since 2018.

The opening night address in the Town Hall with its wildly applauding crowd and standing ovation set the tone for this excellent festival. That night three acclaimed First Nations artists - Ali Cobby Eckermann, Jackie Huggins and Nardi Simpson - spoke to the festival’s theme ‘change my mind’, reflecting on the changed, changing and changeable nature of their minds.

It was dark in the Town Hall, I didn’t have a notebook and pen, and I was so stunned and excited to be at the SWF for the first time since 2018, it didn’t occur to me to take notes. But here’s my recollection of the opening night, followed by the notes I took from a brilliant conversation two days later between Professor Marcia Langton and Professor Julianne Schultz, chaired by acclaimed historian Clare Wright.

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